Ask your query 6. Panchangam Sri Kanippayyur Narayanan belongs to the famous Kanippayyur family that has traditionally excelled in the field of Astrology and Traditional Architecture over a long period.
It also includes predictions for special occasions such as New Year, Vishu and Onam. Up to six family members will be able to use this app with Family Sharing enabled. This app is only available on the App Store for iOS devices. Screenshots iPhone iPad. Information Provider Krishna Cherukunnath.
Size Category Lifestyle. Compatibility Requires iOS 8. Compatible with iPhone, iPad and iPod touch. Languages English. Through its own particular way of expressing values, architecture can stimulate and influence social life without presuming that, in and of itself, it will promote social development.
Among the philosophies that have influenced modern architects and their approach to building design are rationalism , structuralism , poststructuralism , phenomenology. In the late 20th century a new concept was added to those included in the compass of both structure and function, the consideration of sustainability, hence sustainable architecture. To satisfy the contemporary ethos a building should be constructed in a manner, environmentally friendly in terms of the production of its materials, its impact upon the natural and built environment of its surrounding area and the demands that it makes upon non-sustainable power sources for heating, cooling and waste management and lighting.
Vastu shastra Vastu shastra is a traditional Hindu system of architecture which translates to "science of architecture. Vastu Shastras incorporate traditional Hindu and in some cases Buddhist beliefs; the designs are intended to integrate architecture with nature, the relative functions of various parts of the structure, ancient beliefs utilizing geometric patterns and directional alignments. Vastu Shastra are the textual part of Vastu Vidya, the latter being the broader knowledge about architecture and design theories from ancient India.
Vastu Vidya knowledge is a collection of ideas and concepts, with or without the support of layout diagrams, that are not rigid. Rather, these ideas and concepts are models for the organization of space and form within a building or collection of buildings, based on their functions in relation to each other, their usage and to the overall fabric of the Vastu.
Ancient Vastu Shastra principles include those for the design of Mandir, the principles for the design and layout of houses, cities, roads, water works and other public areas. The underlying root is vas "to dwell, stay, reside"; the term shastra may loosely be translated as "doctrine, teaching".
Proposals tracing potential links of the principles of composition in Vastu Shastra and the Indus Valley Civilization have been made, but Kapila Vatsyayan is reluctant to speculate on such links given the Indus Valley script remains undeciphered. According to Chakrabarti, Vastu Vidya is as old the Vedic period and linked to the ritual architecture. According to Michael W. Meister, the Atharvaveda contains verses with mystic cosmogony which provide a paradigm for cosmic planning, but they did not represent architecture nor a developed practice.
Varahamihira's Brihat Samhita dated to the sixth century CE, states Meister, is the first known Indian text that describes "something like a vastupurusamandala to plan cities and buildings". The emergence of Vastu vidya as a specialized field of science is speculated to have occurred before the 1st-century CE. By 6th century AD, Sanskrit manuals for constructing palatial temples were in circulation in India. While it is unclear, states Barnett, as to whether these temple and town planning texts were theoretical studies and if or when they were properly implemented in practice, the manuals suggest that town planning and Hindu temples were conceived as ideals of art and integral part of Hindu social and spiritual life.
Silpa Prakasa describes the geometric principles in every aspect of the temple and symbolism such as 16 emotions of human beings carved as 16 types of female figures; these styles were perfected in Hindu temples prevalent in eastern states of India. Other ancient texts found expand these architectural principles, suggesting that different parts of India developed and added their own interpretations. For example, in Saurastra tradition of temple building found in western states of India, the feminine form and emotions are depicted in 32 types of Nataka-stri compared to 16 types described in Silpa Prakasa.
Silpa Prakasa provides brief introduction to 12 types of Hindu temples. Ancient Sanskrit manuals for temple construction discovered in Rajasthan , in northwestern region of India, include Sutradhara Mandana's Prasadamandana with chapters on town building. Manasara shilpa and Mayamata, texts of South Indian origin, estimated to be in circulation by 5th to 7th century AD, is a guidebook on South Indian Vastu design and construction. Isanasivagurudeva paddhati is another Sanskrit text from the 9th century describing the art of building in India in south and central India.
They describe the temple as a holistic part of its community, lay out various principles and a diversity of alternate designs for home and city layout along with the temple, water bodies and nature; the central area in all mandala is the Brahmasthana. Mandala "circle-circumference" or "completion", is a concentric diagram having spiritual and ritual significance in both Hinduism and Buddhism. The space occupied by it varies in different mandala — in Pitha and Upapitha it occupies one square module, in Mahaapitha. Kunnamkulam Kunnamkulam is a taluk and municipal town situated in the Thrissur District of Kerala in India.
Traditionally it is believed that a cross was installed at Chattukulangara. During the invasion of Tippu Sultan , the Christians from Chattakulangara migrated to Kunnamkulam town.
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Kunnamkulam Municipal area was the headquarters of Talappilly taluk up to AD Kunnamkulam is located at It has an average elevation of 57 metres, it is around 23 km from 10 km from Guruvayur. The Municipality is divided into 31 electoral wards.
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In , it was further upgraded to a Grade-II Municipality by merging adjoining panchayats of Arthat and panchayats of Porkulam and Chowwannur; the original area of the municipality was 7 km2, now increased to Earlier, there were only 16 municipal wards; the municipality now has 31 wards.
The Total population was 51, of which 24, were males and 27, females, with the density of population being 2, per km2. Kunnamkulam assembly constituency is part of Alathoor. Earlier, it was part of the Ottapalam Constituency. Kadavallur and Arthat, the nearby places of Kunnamkulam had a rich cultural background. Kadavallur is well known throughout this coast as being the place where Nambudiris of the Thrissur and Tirunavaya Yogams compete for superiority in Vedic proficiency. In Chowannur , there was an endowed college where Sanskrit education was given. Arthat was the chief center of Orthodox Christians ; the Arthat St.
Mary's Cathedral Church is the main church in the town.
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All these contributed a cultural rising up in the area which on helped the development of the publishing industry; these published books were sold during Guruvayur Ekadasi. When the temple was open to all Hindus and a good amount of trade taken place at that time. A particular residential replica "line houses", is seen in Kunnamkulam area; the streets of these houses are exceedingly narrow.
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The "Line Houses" are built in 3—5 cents of land on both sides of the street. The front room of the house functions as a shop while the rear room was used for residential purposes. There used to be rear yards for every so called "Angadi pura", used for processing of their agricultural products.
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They are exhibited in the Archeological Museum of Thrissur. Puranas The word Puranas means "ancient, old", it is a vast genre of Indian literature about a wide range of topics myths and other traditional lore. Composed in Sanskrit , but in regional languages, several of these texts are named after major Hindu deities such as Vishnu and Devi; the Puranas genre of literature is found in both Jainism. The Puranic literature is encyclopedic, it includes diverse topics such as cosmogony , genealogies of gods, kings, heroes and demigods, folk tales, temples, astronomy , mineralogy , love stories, as well as theology and philosophy; the content is inconsistent across the Puranas, each Purana has survived in numerous manuscripts which are themselves inconsistent.
The Hindu Puranas are anonymous texts and the work of many authors over the centuries. There are 18 Maha Puranas and 18 Upa Puranas, with over , verses; the first versions of the various Puranas were composed between the 3rd- and 10th-century CE.
The Puranas are considered a Smriti, they have been influential in the Hindu culture, inspiring major national and regional annual festivals of Hinduism. Their role and value as sectarian religious texts and historical texts has been controversial because all Puranas praise many gods and goddesses and "their sectarianism is far less clear cut" than assumed, states Ludo Rocher.
The religious practices included in them are considered Vaidika, because they do not preach initiation into Tantra ; the Bhagavata Purana has been among the most celebrated and popular text in the Puranic genre, is of non-dualistic tenor. The Puranic literature wove with the Bhakti movement in India , both Dvaita and Advaita scholars have commented on the underlying Vedantic themes in the Maha Puranas.
The ancient tradition suggests that there was but one Purana.
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Vishnu Purana mentions that Vyasa entrusted his Puranasamhita to his disciple Lomaharshana, who in turn imparted it to his disciples, three of whom compiled their own samhitas. These three, together with Lomaharshana's, comprise the Mulasamhita, from which the eighteen Puranas were derived; the term Purana appears in the Vedic texts. He changed his place and went over to great direction, Itihasa and Purana, verses in praise of heroes followed in going over.
However, states P. Kane , it is not certain whether these texts suggested several works or single work with the term Purana.
The late Vedic text Taittiriya Aranyaka uses the term in the plural. Therefore, states Kane, that in the Vedic period at least, the Puranas referred to three or more texts, that they were studied and recited In numerous passages the Mahabharata mentions'Purana' in both singular and plural forms. Moreover, it is not unlikely that, where the singular'Puranam' was employed in the texts, a class of works was meant. Further, despite the mention of the term Purana or Puranas in the Vedic texts, there is uncertainty about the contents of them until the composition of the oldest Dharmashastra Apastamba Dharmasutra and Gautama Dharmasutra , that mention Puranas resembling with the extant Puranas.
Another early mention of the term'Itihas-purana' is found in the Chandogya Upanishad , translated by Patrick Olivelle as "the corpus of histories and ancient tales as the fifth Veda"; the Brhadaranyaka Upanishad refers to purana as the "fifth Veda",According to Thomas Coburn and early extra-puranic texts attest to two traditions regarding their origin, one proclaiming a divine origin as the breath of the Great Being, the other as a human named Vyasa as the arranger of existing material into eighteen Puranas.
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